August 6, 2016

The McMichael Art Collection – Sarah Anne Johnson

In terms of the perpetuation of the species and the human life span, the period between 15 and 25 is the really crucial one.  This is the period of maximum fertility and all its attendant characteristics: the fierce courage, idealism and passion that belong only to the young; and of course, on the dark side, the selfishness, fecklessness and brutality that hopefully dissipates with maturity. Looking back to this era in one’s own lifetime can produce feelings of awe and possibly an overriding sense of good fortune that we even survived at all.  Sometimes we barely recognize our former selves and are obliged to murmur, almost inaudibly: “Was that idiot me?”

Sarah Anne Johnson wanders into this territory of youthful enthusiasm and misadventure in her exhibition called Field Trip, at the McMichael Collection.

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Yellow Dinosaur by Sarah Anne Johnson

The “trip” Sarah Anne Johnson takes the viewer on is deep and quixotic, at times hilarious, contemplative and hopeful, and then suddenly frightening and grim.  I really liked looking at this show.  For me the dazzling images conjure up a sense of how perception is shared, how my own perceptions conform to contemporary custom and how they change.

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Zombie Dance by Sarah Anne Johnson

I’ve been reading a book by Jenny Diski called The Sixties.  She writes:  “We were …a bunch of dissolute, hedonistic druggies.  We lay around and got stoned, had sex, listened to music that exalted lying around, getting stoned, having sex, and hymned our good times.”  It seems that fifty years later this is the same crowd that Sarah Anne Johnson has photographed. In her book Jenny Diski goes on to chronicle how the sixties became the Reagan years and turned into ” that beast: the Me generation.”  Time will tell.

Chillin’ at the Void by Sarah Anne Johnson

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Detail of Chillin’ at the Void by Sarah Anne Johnson

Sarah Anne Johnson intertwines so many interesting threads of thinking. The detail of Chillin’ at the Void depicts a new crop of “dissolute, hedonistic druggies.”   It makes me think of a different kind of chill: a cold and dreadful chill, of how marketing and propaganda ease each  generation through its own very special, unique and individual journey.

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Group Portrait by Sarah Anne Johnson

In the piece entitled “Group Portrait” Sarah Anne Johnson captures the joy and satisfaction of belonging, so critical for the young.  The individuals are obliterated with dopey masks and transformed in an instant to exotic creatures that have banded together.   We will always be together!!  We celebrate our originality!  We defend our tribe!!  It’s such a brief sentiment.  Maybe only an afternoon or two.  That weekend at Bird’s Hill Park.

Sarah Anne Johnson’s trip includes some dark alleys, strewn with garbage, seriously dangerous drugs and stoners slipping over the edge.

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Blob by Sarah Anne Johnson

The lurid, day-glow monsters of nightmare and death are observed with nonchalance.  This is an ability of the very young and very stoned, and a feature of their passage into the humdrum adult world….if all goes well.

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Glitter Bomb by Sarah Anne Johnson

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